SINOPOEMS
BOOKMARK
To bookmark this poem:
Press Ctrl + D (Windows) or ⌘ + D (Mac).

The Hardships of the Shu Road

Alas, how steep, how high!
To scale the trails of Shu outranks
The climb to azure sky.
When Cancong and Yufu first ruled the realm of old,
Dim eras passed untold.
For forty-eight millennia down the night,
No footpaths bridged the mountain walls of Qin.
A bird-track peered from Taibai's western height,
Where Emei's summits pierce the thin.
Then mountains cracked and mighty warriors fell,
Before the stone-paved ladders spanned the swell.
Above, the six-dragon chariot wheels about;
Below, the raging torrents churn and shout.
The yellow crane on weary wing must stay;
The scrambling gibbon turns in deep dismay.
How Qingni winds in ninety serpent turns,
Where sheer crags scrape the stars and heaven burns!
We touch the constellation Jing, we gasp for air,
And beat our breasts in absolute despair.

Friend, on this western venture, when return?
The granite teeth of chasm-walls burn.
Through ancient woods the mournful owlets cry,
In mated pairs beneath a widowed sky.
And cuckoos wail beside the midnight moon,
While empty mountains mourn the fading noon.
This road of Shu outranks the azure sky;
It drains the youthful color from the eye.
The jagged peaks miss heaven by an inch;
Old pines hang downward in the granite pinch.
While roaring cataracts and plunging spray
Roll thunder through ten thousand gorges gray.
Since nature frames such perilous abyss,
Why journey, traveler, through a waste like this?

Behold the Sword Gate fort, defiant, steep,
Where single guards the mountain fortress keep;
Should wardens prove untrue or faith depart,
The wolf and jackal seize the human heart.
At dawn avoid the tiger's bloody maw,
At eve the serpent violating law;
They grind their teeth and lap up human gore,
As slaughtered victims stack upon the shore.
Though Brocade City boasts a joyful reign,
Far better flee and turn to home again.
The road of Shu outranks the azure sky;
I lean toward the west and heave a sigh.
噫籲戲!危乎高哉!蜀道之難難於上青天!蠶叢及魚鳧,開國何茫然。
爾來四萬八千歲,不與秦塞通人煙。
西當太白有鳥道,可以橫絕峨眉巔。
地崩山摧壯士死,然後天梯石棧相鉤連。
上有六龍回日之高標,下有衝波逆折之回川。
黃鶴之飛尚不得過,猨猱欲度愁攀援。
青泥何盤盤,百步九折縈巖巒。
捫參歷井仰脅息,以手撫膺坐長歎。
問君西遊何時還?畏途巉巖不可攀。
但見悲鳥號古木,雄飛雌從繞林間。
又聞子規啼夜月,愁空山,蜀道之難難於上青天,使人聽此凋朱顏。
連峯去天不盈尺,枯松倒掛倚絕壁。
飛湍瀑流爭喧豗,砅厓轉石萬壑雷。
其險也如此,嗟爾遠道之人胡爲乎來哉!劒閣崢嶸而崔嵬,一夫當關,萬夫莫開。
所守或匪親,化爲狼與豺。
朝避猛虎,夕避長蛇。
磨牙吮血,殺人如麻。
錦城雖雲樂,不如早還家。
蜀道之難難於上青天,側身西望長諮嗟。
yī xū xū ! wēi hū gāo zāi ! shǔ dào zhī nán nán yú shàng qīng tiān !
cán cóng jí yú fú , kāi guó hé máng rán .
ěr lái sì wàn bā qiān suì , bù yǔ qín sāi tōng rén yān .
xī dāng tài bái yǒu niǎo dào , kě yǐ héng jué é méi diān .
di bēng shān cuī zhuàng shì sǐ , rán hòu tiān tī shí zhàn xiāng gōu lián .
shàng yǒu liù lóng huí rì zhī gāo biāo , xià yǒu chōng bō nì zhé zhī huí chuān .
huáng hè zhī fēi shàng bù dé guò , yuán náo yù dù chóu pān yuán .
qīng ní hé pán pán , bǎi bù jiǔ zhé yíng yán luán .
mén cān lì jǐng yǎng xié xī , yǐ shǒu fǔ yīng zuò cháng tàn .
wèn jūn xī yóu hé shí huán ? wèi tú chán yán bù kě pān .
dàn jiàn bēi niǎo hào gǔ mù , xióng fēi cí cóng rào lín jiān .
yòu wén zǐ guī tí yè yuè , chóu kōng shān , shǔ dào zhī nán nán yú shàng qīng tiān , shǐ rén tīng cǐ diāo zhū yán .
lián fēng qù tiān bù yíng chǐ , kū sōng dào guà yǐ jué bì .
fēi tuān pù liú zhēng xuān huī , pì yán zhuǎn shí wàn hè léi .
qí xiǎn yě rú cǐ , jiē ěr yuǎn dào zhī rén hú wéi hū lái zāi !
jiàn gé zhēng róng ér cuī wéi , yī fū dāng guān , wàn fū mò kāi .
suǒ shǒu huò fěi qīn , huà wéi láng yǔ chái .
zāo bì měng hǔ , xī bì cháng shé .
mó yá shǔn xuè , shā rén rú má .
jǐn chéng suī yún lè , bù rú zǎo huán jiā .
shǔ dào zhī nán nán yú shàng qīng tiān , cè shēn xī wàng zháng zī jiē .
Alas! Dangerous and high indeed! The difficulty of the Shu road is harder than ascending the dark blue sky!
Cancong and Yufu, when they founded the state, how dim and vast!
Since then fourty-eight thousand years, did not communicate human smoke with the Qin passes.
West facing Taibai there is a bird path, one can horizontally cross the Emei summits.
Earth collapsed and mountains fractured brave men died, and then heavenly ladders and stone plank roads linked together.
Above are the high markers where six dragons wheel back the sun, below are rushing waves and counter-turning swirling rivers.
Even flying yellow cranes still cannot pass, gibbons desiring to cross worry about climbing and grasping.
Qingni how winding and coiling, a hundred paces nine folds surround rocky peaks.
Touching the stars of Can and passing Jing, one looks up holding the breath, pressing the chest with the hand and sitting in prolonged sighs.
Asking you, western journey, when will you return? Dangerous paths of sheer crags are un-climbable.
Only see mournful birds calling in ancient trees, males flying and females following circling among the forests.
Also hear cuckoos crying at the night moon, sorrowing the empty mountain. The difficulty of the Shu road is harder than ascending the dark blue sky, causing people hearing this to wither their youthful faces.
Linked peaks distant from heaven not filling a foot, withered pines hanging upside down leaning against sheer cliffs.
Flying torrents and plunging streams contend in clamorous roar, crashing against cliffs and turning boulders like ten thousand valleys thundering.
Its danger is like this, oh you traveler from afar, why have you come hither?
Jianjian is steep and towering, one man holding the pass, ten thousand men cannot open it.
Those defending it if not kin, transform into wolves and jackals.
Morning avoiding fierce tigers, evening avoiding long snakes.
Grinding teeth and sucking blood, killing men like hemp.
Although Brocade City is said to be joyful, it is not as good as early returning home.
The difficulty of the Shu road is harder than ascending the dark blue sky, turning the body and looking west with a prolonged sigh.

I. Formal Poetic Architecture & Meter

This masterwork belongs to the ancient music bureau genre known as Yuefu poetry. Abandoning the rigid constraints of regulated verse, Li Bai adopts an irregular song format characterized by frequent shifts in line length—ranging from three to eleven characters—which mimes the dizzying, broken topography of the Sichuan mountain ranges. The prosody relies on rapid modulations between level and oblique tones, creating an acoustic turbulence that mirrors roaring waterfalls and jagged cliffs. The poem shifts fluidly through varying rhyme groups, capturing the emotional crescendo and psychological vertigo of the traveler.

II. Historical Chronology & Existential Impulse

Composed during the mid-Tang Dynasty, this piece reflects the perilous geopolitical geography separating the imperial heartland from the western basin of Sichuan. While traditional literary criticism sometimes reads the poem as an allegory regarding court intrigues and the threats posed by treacherous ministers surrounding Emperor Xuanzong, the text fundamentally captures the existential terror of frontier travel, mountainous isolation, and the vast untamed wilderness of the ancient Chinese empire during an era of expanding state boundaries.

III. Line-by-Line Exegesis & Allusion Decoding

The poem unfolds in three grand movements, progressing from mythological prehistory to immediate physical peril and concluding with a cautionary political warning.

  • Lines 1-2 (Opening Couplet): Line 1 ("Alas, how steep, how high!") bursts forth with modal exclamations, establishing an immediate hyperbole that the road to Shu surpasses the difficulty of ascending the azure vault of heaven.
  • Lines 3-4 (First Antithetical Turn): Invoking the mythical sovereigns Cancong and Yufu, the poet frames the region's origin in primeval obscurity, noting that for forty-eight millennia the Qin passes remained sealed against human communication.
  • Lines 5-6 (Second Antithetical Turn / Climax): The architectural marvels of the mountain passes are depicted through cosmic imagery, where the sun-chariot of six dragons must wheel back before the sheer vertical cliffs and roaring abysses.
  • Closing Lines (Resolving Couplet): The final movement transitions from natural terror to human treachery at the Sword Gate fortress, culminating in the poignant advice that despite the urban pleasures of Brocade City, returning home remains the only wise recourse.

IV. Cultural Symbolism & Key Metaphors

Li Bai masterfully deploys classical myth and fauna to externalize inner dread. The cuckoo, whose melancholy call echoes through the night in Line 12 ("And cuckoos wail beside the midnight moon"), carries the heavy legendary grief of the ancient monarch of Shu, symbolizing homesickness, tragic displacement, and bleeding sorrow. Similarly, the untamed wilderness filled with lurking tigers and jackals serves as a traditional metaphor for corrupt bureaucratic factions in the imperial capital.

V. Philosophical Core & Global Resonance

The poem synthesizes Daoist engagement with untamed nature and Confucian anxiety regarding social duty and personal safety. The sheer scale of the mountainous landscape dwarfs human agency, reducing the traveler to a shivering figure of vulnerability. Through its magnificent marriage of cosmic hyperbole, auditory onomatopoeia, and psychological realism, the poem endures globally as the ultimate poetic monument to the existential journey through perilous, unknown terrain.

Link copied to clipboard!