SINOPOEMS
BOOKMARK
To bookmark this poem:
Press Ctrl + D (Windows) or ⌘ + D (Mac).

Bring In the Wine

Have you not seen the Yellow River flowing from the heights of heaven,
Racing to the ocean tides, and never turning back again?
Have you not seen the mirror in the lofty hall lamenting silver hair,
Like silken threads at morning light, turned into snow by evening air?
When life is prosperous and bright, let pleasure reach its utmost bound,
Do not allow the golden cup to face the moon without a sound.
Since Heaven made the talents that we bear, they surely have their use,
Though thousands of gold pieces vanish, wealth will find its own release.
So roast the sheep and slaughter oxen, let us revel while we may,
And drink three hundred cups of wine at once to chase the hours away!
Master Cen, and you, Scholar Danqiu,
Bring in the wine, friends, do not stop the flow!
Let me sing a single song for both of you,
And I pray you bend your ears and listen low:
What are bells and drums and jade-like food that we should hold them dear?
Better to be drunk forevermore and never wake to hear!
From ancient times the greatest sages all have passed away unknown,
While only those who drank their fill have left their names alone.
Prince Chen once feasted at Pingle Palace in the days gone by,
Drinking wine at ten thousand cash a cask, with laughter mounted high.
Why should the host complain today that funds are running low?
Go straightway buy and pour the wine, and let the liquor flow!
My five-flower steed, my coat of fur worth thousand pieces of gold,
Call out the servants to exchange them for the wine we hold,
That you and I together may dissolve ten thousand ages' woe!
君不見黃河之水天上來,奔流到海不復迴。
君不見高堂明鏡悲白髮,朝如青絲暮成雪。
人生得意須盡歡,莫使金樽空對月。
天生我材必有用,千金散盡還復來。
烹羊宰牛且爲樂,會須一飲三百盃。
岑夫子,丹丘生,將進酒,君莫停。
與君歌一曲,請君爲我側耳聽。
鐘鼓饌玉不足貴,但願長醉不願醒。
古來聖賢皆寂寞,惟有飲者留其名。
陳王昔時宴平樂,斗酒十千恣讙謔。
主人何爲言少錢,徑須沽取對君酌。
五花馬,千金裘,呼兒將出換美酒,與爾同銷萬古愁。
jūn bú jiàn huáng hé zhī shuǐ tiān shàng lái, bēn liú dào hǎi bú fù huí.
jūn bú jiàn gāo táng míng jìng bēi bái fà, zhāo rú qīng sī mù chéng xuě.
rén shēng dé yì xū jìn huān, mò shǐ jīn zūn kōng duì yuè.
tiān shēng wǒ cái bì yǒu yòng, qiān jīn sàn jìn hái fù lái.
pēng yáng zǎi niú qiě wéi lè, huì xū yì yǐn sān bǎi bēi.
cén fū zǐ, dān qiū shēng, jiāng jìn jiǔ, jūn mò tíng.
yǔ jūn gē yì qǔ, qǐng jūn wéi rù cè ěr tīng.
zhōng gǔ zhuàn yù bù zú guì, dàn yuàn zhǎng zuì bù yuàn xǐng.
gǔ lái shèng xián jiē jì mò, wéi yǒu yǐn zhě liú qí míng.
chén wáng xī shí yàn píng lè, dǒu jiǔ shí qiān zì huān xuè.
zhǔ rén hé wéi yán shǎo qián, jìng xū gū qǔ duì jūn zhuó.
wǔ huā mǎ, qiān jīn qiú, hū ér jiāng chū huàn měi jiǔ, yǔ ěr tóng xiāo wàn gǔ chóu.
Do you not see the Yellow River waters coming from the sky, rushing to the sea and never returning?
Do you not see the high hall bright mirrors grieving white hair, morning like black silk evening becoming snow.
Life achieving satisfaction must exhaust joy, do not let the golden goblet empty face the moon.
Heaven born my talent certainly has use, a thousand gold scattered completely still returns again.
Cooking sheep slaughtering ox temporarily make pleasure, must encounter a single drink three hundred cups.
Master Cen, Scholar Danqiu, bringing in the wine, you do not stop.
For you singing one tune, please you for me turn the ear listen.
Bells and drums delicacies are not sufficient to value, only desire long drunk not desire awake.
From antiquity sages and worthies are all lonely, only there are drinkers who leave their names.
Prince Chen former times banqueting Pingle, a peck of wine ten thousand cash freely rejoicing and joking.
Host why say little coin, straightway must buy and fetch facing you pour.
Five-flower horses, thousand-gold furs, calling sons about to take out exchange fine wine, with you together melt ten thousand ages sorrow.

I. Formal Poetic Architecture & Meter

This masterpiece belongs to the ancient style verse (gushi), specifically the music bureau style (yuefu) ballad known as 'Will Drink the Wine' (Jiang Jin Jiu). Unlike the rigidly regulated regulated verse (lvshi) of the high Tang, this chaotic, exhilarating piece breaks through standard meter by employing shifting line lengths—ranging from turbulent seven-character lines to explosive long-breath lines interspersed with exclamatory rhythms—mirroring the unpredictable surges of the Yellow River and the erratic, cascading flow of drunken speech. The rhyme scheme shifts fluidly, capturing an intoxicating, syncopated musicality designed for dramatic recitation.

II. Historical Chronology & Existential Impulse

Composed during Li Bai's middle years around 742–744 AD, after his political disillusionment at the imperial court in Chang'an where he was essentially expelled by jealous eunuchs and courtiers, the poem vibrates with a defiant existential urgency. Rejected by officialdom, the poet turns his immense, unfulfilled ambition toward wine, companionship, and philosophical transcendence. It transforms personal frustration into a universal, roaring celebration of mortal agency in the face of cosmic indifference.

III. Line-by-Line Exegesis & Allusion Decoding

  • Lines 1-4 (Cosmic Scale and Mortal Transience): The poem opens with the hyperbolic vision of the Yellow River cascading from the heavens into the sea, immediately juxtaposed with the tragic mirror of aging, where morning black silk turns to evening snow, establishing the epic scale of time and mortality.
  • Lines 5-8 (The Mandate of Joy): The poet urges absolute hedonism grounded in self-worth, famously declaring that heaven-bestowed talent has its purpose and wealth is meant to be scattered, demanding a feast of three hundred cups with his close companions Cen Danqiu.
  • Lines 9-16 (Rejection of Conventional Valuations): Li Bai dismisses jade banquets and imperial favor, elevating the solitary drinkers of history above forgotten sages, invoking Prince Chen (Cao Zhi) at the Xingle feast to legitimize unrestrained revelry.
  • Lines 17-22 (The Grand Finale of Dispersal): The poem reaches its roaring crescendo as the poet orders his servant to trade prized five-flower horses and thousand-gold furs for more wine, seeking not mere intoxication, but the complete dissolution of ten-thousand-ages sorrow.

IV. Aesthetic Synthesis & Poetic Aftertaste

The poem achieves the ultimate synthesis of romantic bravado, existential despair, and unbridled artistic freedom. Its aftertaste is one of titanic defiance—a lingering echo of a solitary genius roaring against the constraints of mortality and society, securing Li Bai's immortal status as the transcendent 'Immortal of Poetry'.

Link copied to clipboard!