SINOPOEMS
BOOKMARK
To bookmark this poem:
Press Ctrl + D (Windows) or ⌘ + D (Mac).

The Hardships of the Shu Road

Alas, how steep! How perilous and high!
The trek to Shu is harder than climbing up the azure sky!
Cancong and Yufu founded realms in ancient mist,
For forty-eight millennia, no mortal track existed.
Westward the Taibai peak admits the falcon's flight,
While Emei's summit brushes heaven's height.
The earth collapsed, the heroes died beneath the stone,
Before the heavenly ladders and plank-roads were thrown.
Above, the chariot's six-dragon sun is forced to turn;
Below, the twisting torrents churn.
Even the yellow crane on rapid wing must fail,
And agile gibbons grieve along the trail.
How coiling, twisting is the dark Green Mud slope,
A hundred steps, nine turns beyond all hope.
One touches Can and Jing, then holds the breath in fright,
And beats the breast, lamenting at the height.
O traveler heading west, when will you homeward roam?
These jagged cliffs forbid you steps to roam.
Only the grieving birds in withered branches cry,
As mates call out beneath the forest sky.
The cuckoo wails all night beneath the moon, forlorn,
Above empty mountains where the heart is torn.
The road to Shu is harder than the azure sky!
It drains the youthful color as you pass it by.
Peak upon peak, not matching heaven by an inch,
Where ancient pines hang downward, dead and stanch.
The roaring torrents crash against the stone,
With thunder echoing in valleys lone.
Such perils wait—why, traveler, do you dare
To brave this pass and breathe the mountain air?
Sword Gate towers high, defiant in the gloom,
Where one guards well against a thousand's doom.
If those who hold the gate prove false or cold,
They turn to wolves and jackals, fierce and bold.
At dawn avoid the tiger, and at dusk the snake,
Whose bloody fangs the lives of thousands take.
Though Brocade City boasts of ease and cheer,
It is far better to be home from here.
The road to Shu is harder than the azure sky,
I lean toward the west and heave a sigh.
噫籲嚱!危乎高哉!蜀道之難難於上青天!蠶叢及魚鳧,開國何茫然。
爾來四萬八千歲,乃與秦塞通人煙。
西當太白有鳥道,可以橫絕峨眉巔。
地崩山摧壯士死,然後天梯石棧方鉤連。
上有六龍迴日之高標,下有衝波逆折之迴川。
黃鶴之飛尚不得,猨猱欲度愁攀緣。
青泥何盤盤,百步九折縈巖巒。
捫參歷井仰脅息,以手撫膺坐長歎。
問君西遊何時還?畏途巉巖不可攀。
但見悲鳥號枯木,雄飛呼雌繞林間。
又聞子規啼夜月,愁空山,蜀道之難難於上青天!使人聽此彫朱顏。
連峯去天不盈尺,枯松倒掛倚絕壁。
飛湍瀑流相喧豗,砅崖轉石萬壑雷。
其嶮也若此,嗟爾遠道之人胡爲乎來哉?劒閣崢嶸而崔嵬,一夫當關,萬夫莫開。
所守或匪親,化爲狼與豺。
朝避猛虎,夕避長蛇。
磨牙吮血,殺人如麻。
錦城雖雲樂,不如早還家。
蜀道之難難於上青天,側身西望長諮嗟。
Yī xū xī! Wēi hū gāo zāi! Shǔ dào zhī nán nán yú shàng qīng tiān! Cán cóng jí yú fú, kāi guó hé máng rán.
Ěr lái sì wàn bā qiān suì, nǎi yǔ qín sāi tōng rén yān.
Xī dāng tài bái yǒu niǎo dào, kě yǐ héng jué é méi diān.
Dì bēng shān cuī zhuàng shì sǐ, rán hòu tiān tī shí zhàn fāng gōu lián.
Shàng yǒu liù lóng huí rì zhī gāo biāo, xià yǒu chōng bō nì zhé zhī huí chuān.
Huáng hè zhī fēi shàng bù dé, yuán náo yù dù chóu pān yuán.
Qīng ní hé pán pán, bǎi bù jiǔ zhé yíng yán luán.
Mén cān lì jǐng yǎng xié xī, yǐ shǒu fǔ yīng zuò cháng tàn.
Wèn jūn xī yóu hé shí huán? Wèi tú chán yán bù kě pān.
Dàn jiàn bēi niǎo hào kū mù, xióng fēi hū cí rào lín jiān.
Yòu wén zǐ guī tí yè yuè, chóu kōng shān, Shǔ dào zhī nán nán yú shàng qīng tiān! Shǐ rén tīng cǐ diāo zhū yán.
Lián fēng qù tiān bù yíng chǐ, kū sōng dào guà yǐ jué bì.
Fēi tuān pù liú xiāng xuān huī, pīng yán zhuǎn shí wàn hè léi.
Qí xiǎn yě ruò cǐ, jiē ěr yuǎn dào zhī rén hú wéi hū lái zāi? Jiàn gé zhēng róng ér cuī wéi, yī fū dāng guān, wàn fū mò kāi.
Suǒ shǒu huò fěi qīn, huà wéi láng yǔ chái.
Cháo bì měng hǔ, xī bì cháng shé.
Mó yá shǔn xuè, shā rén rú má.
Jǐn chéng suī yún lè, bù rú zǎo huán jiā.
Shǔ dào zhī nán nán yú shàng qīng tiān, cè shēn xī wàng zháng zī jiē.
Ah, expression of awe! Perilous how high! The Shu road's difficulty is harder than ascending the blue heaven! Cancong and Yufu, founding states, how vague and distant!
Since then four tens of thousands and eight thousand years, then with the Qin passes communicated human smoke.
West abutting Taibai there is bird path, can horizontally cross Emei peak.
Earth collapsed and mountains shattered brave men died, afterwards heavenly ladders and stone plank roads then were hooked and linked.
Above there are six dragons wheeling sun's high marker, below there are rushing waves adversely turning winding rivers.
Yellow cranes in flying still cannot attain, gibbons desiring to cross worry at climbing and grasping.
Qingni how coiling and circling, a hundred paces nine bends winding around cliff peaks.
Touching the stars of Can and passing Jing, gazing upward holding breath, with hands clutching chest sitting and long sighing.
Asking you, western journey, when to return? Dangerous paths jagged rocks cannot be climbed.
Only seeing sorrowful birds crying at withered trees, males flying calling females circling forest space.
Again hearing cuckoos crying at night moon, grieving empty mountains, the Shu road's difficulty is harder than ascending the blue heaven! Causing men hearing this to wither vermilion faces.
Linked peaks apart from heaven not filling an inch, withered pines inverted hanging leaning against precipitous walls.
Flying torrents and cascading streams mutually roaring and clamoring, splashing cliffs and turning stones ten thousand valleys thunder.
Their dangerousness is like this, alas you distant traveling person why for what do you come? Jiandegang towering and majestic, one man defending the pass, ten thousand men cannot open it.
Those guarding perhaps are not kin, transformed into wolves and jackals.
Morning avoiding fierce tigers, evening avoiding long snakes.
Grinding teeth sucking blood, killing men like hemp.
Brocade City although they say is joyful, not as good as early returning home.
Shu road's difficulty is harder than ascending the blue heaven, turning sideways western gazing long groaning and sighing.

I. Formal Poetic Architecture & Meter

This masterpiece belongs to the genre of ancient-style poetry, specifically categorized under the musical style of the Yuefu tradition known as Songs of the Department of Pure and Cleansed Ballads. The poem exhibits extreme metrical fluidity, breaking away from the rigid tonal and structural constraints of regulated verse. Li Bai deliberately shifts line lengths ranging from three to eleven characters, mirroring the abrupt physical descents, towering ascents, and psychological palpitations of traversing the treacherous mountain terrain of Sichuan.

II. Historical Chronology & Existential Impulse

Composed during the mid-Tang Dynasty, likely around the middle of the eighth century prior to the outbreak of the An Lushan Rebellion, the poem captures both the raw majesty of western geography and an underlying atmospheric foreboding. While traditional commentators often read the piece through a political lens—warning of the dangers lurking within the imperial capital and the treacherous nature of court factions surrounding the Emperor—the primary existential impulse remains deeply rooted in the physical and emotional disorientation of travel through the remote borderlands of Shu.

III. Line-by-Line Exegesis & Allusion Decoding

The poem unfolds in three massive structural movements, shifting from primordial myth to immediate physical peril, and finally concluding with a sobering socio-political warning about military garrisons.

  • Lines 1-2 (Opening Couplet): The poem bursts forth with an iconic exclamation of shock, immediately establishing the legendary difficulty of the Shu road as surpassing even the climb to the empyrean heavens.
  • Lines 3-4 (First Antithetical Turn): Li Bai invokes ancient mythological sovereigns like Cancong and Yufu, establishing a deep temporal abyss that contrasts human frailty against primeval geological upheaval.
  • Lines 5-6 (Second Antithetical Turn / Climax): The descriptive center of the poem reaches dizzying heights in lines such as Line 7 ("Touching the stars of Can and passing Jing"), where astronomical constellations are grazed by the trembling traveler.
  • Closing Lines (Resolving Couplet): The final movement transitions from natural sublimity to human danger, culminating in the warning about the Sword Gate pass and the urging to return safely home.

IV. Cultural Symbolism & Key Metaphors

The imagery throughout the piece relies heavily on traditional Chinese literary topoi representing cosmic danger and isolation.

  • Cuckoo (Zijui): The nocturnal cry of the cuckoo bird carries deep cultural resonance associated with tragic longing, sorrowful exile, and the mourning of lost homelands.
  • Dangerous Mountain Passes: The towering cliffs and narrow plank roads serve as physical manifestations of political vulnerability, moral trial, and the existential isolation of the scholar-official away from the center of culture.

V. Philosophical Core & Global Resonance

The philosophical underpinning of the work fuses Daoist astonishment at the untamed, indifferent forces of nature with Confucian anxiety regarding societal safety and loyalty. Li Bai captures the sublime insignificance of humanity when confronted with towering precipices and predatory violence, resonating universally with any reader who has experienced profound displacement, physical vulnerability, or the daunting journey through life's most perilous thresholds.

Link copied to clipboard!