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The Monument to Han Yu

The Emperor of Yuanhe possessed a martial and divine grace,
Surpassing ancient sovereigns who founded the human race.
He vowed to wash away the shame of sages past,
And summoned barbarian tribes to court while peace held fast.
For half a century Huaixi sheltered rebel bands,
Where wolf begot lynx and bear across the conquered lands.
They relied not on steep mountains but on open plain,
With lances flashing bright as if the sun they could constrain.
The Emperor found a holy minister named Pei Du, whom spirits saved;
Though assassins struck in vain, heavenly guardians him behaved.
With the primeval seal at waist, as supreme general he led,
Beneath dark, desolate banners where the imperial armies tread.
Li Su and Wu Chongyin served as his fierce teeth and claws,
While a scholar from the Ministry followed to record his laws.
The army supervisors were both wise and passing brave,
Fourteen hundred thousand tigers surging like a tidal wave.
They entered Cai to bind the rebels for the ancestral shrine,
Where immeasurable favors matched a victory so divine.
The Emperor declared Pei Du’s achievement foremost of them all,
And bade Han Yu compose the text to grace the temple wall.
Han Yu bowed low, touching the earth, dancing in delight,
Proclaiming that stone inscriptions were well within his might.
He cried that ancient masters held a pen above mere rank,
And when a moral duty calls, true writers never shrank.
With words complete, he nodded as the monarch gave assent,
Then to his quiet study room the master grieving went.
He dipped his brush so lavishly, the ink began to pour,
As if rewriting ancient canons on the sacred floor.
He reshaped the ancient language of the ritualodes and odes,
And poured his spirit forth across the manuscript he rode.
At dawn he laid the parchment on the crimson palace stair,
Submitting his petition with a loyal scholar's prayer:
To praise the divine sovereign and record the victory.
The stele soared three zhang high, characters like bushel measures wide,
Borne upon giant tortoises with coiling dragons at its side.
The phrases deep and weighty found but few who understood,
And petty slanderers whispered lies where truth alone should stood.
Long ropes of a hundred feet dragged down the monument of stone,
And coarse sand ground the letters till their sharp relief was flown.
Yet Han Yu's prose remains akin to nature's primal breath,
Already lodged in human hearts transcending time and death.
As Tang and Kong preserved their rites though ancient vessels fail,
So too this master's mighty text defies the grinding gale.
Alas for such a sacred lord and minister so grand,
Whose brilliant glory illuminated all the land.
If such a masterpiece of letters fails to reach posterity,
How could it match the ancient sage-kings in eternity?
Oh, let us copy thousand scrolls and chant them thousand times,
Until our hands are callused and our lips repeat the rhymes,
To pass it down through seventy generations yet to come,
As the foundation stone of earth when imperial rites are done.
元和天子神武姿,彼何人哉軒與羲。
誓將上雪列聖恥,坐法宮中朝四夷。
淮西有賊五十載,封狼生貙貙生羆。
不據山河據平地,長戈利矛日可麾。
帝得聖相相曰度,賊斫不死神扶持。
腰懸相印作都統,陰風慘澹天王旗。
愬武古通作牙爪,儀曹外郎載筆隨。
行軍司馬智且勇,十四萬衆猶虎貔。
入蔡縛賊獻太廟,功無與讓恩不訾。
帝曰汝度功第一,汝從事愈宜爲辭。
愈拜稽首蹈且舞,金石刻畫臣能爲。
古者世稱大手筆,此事不繫於職司。
當仁自古有不讓,言訖屢頷天子頤。
公退齋戒坐小閣,濡染大筆何淋漓。
點竄堯典舜典字,塗改清廟生民詩。
文成破體書在紙,清晨再拜鋪丹墀。
表曰臣愈昧死上,詠神聖功書之碑。
碑高三丈字如鬥,負以靈鼇蟠以螭。
句奇語重喻者少,讒之天子言其私。
長繩百尺拽碑倒,麤砂大石相磨治。
公之斯文若元氣,先時已入人肝脾。
湯盤孔鼎有述作,今無其器存其辭。
嗚呼聖皇及聖相,相與烜赫流淳熙。
公之斯文不示後,曷與三五相攀追。
願書萬本誦萬過,口角流沫右手胝。
傳之七十有二代,以爲封禪玉檢明堂基。
yuán hé tiān zǐ shén wǔ zī, bǐ hé rén zāi xuān yǔ xī.
shì jiāng shàng xuě liè shèng chǐ, zuò fǎ gōng zhōng zhāo sì yí.
huái xī yǒu zéi wǔ shí zǎi, fēng láng shēng chū chū shēng pí.
bù jù shān hé jù píng dì, zháng gē lì máo rì kě huī.
dì dé shèng xiāng xiāng yuē dù, zéi zhuó bù sǐ shén fú chí.
yāo xuán xiāng yìn zuò dū tǒng, yīn fēng cǎn dàn tiān wáng qí.
sù wǔ gǔ tōng zuò yá zhǎo, yí cáo wài láng zài bǐ suí.
xíng jūn sī mǎ zhì qiě yǒng, shí sì wàn zhòng yóu hǔ pí.
rù cài fù zéi xiàn tài miào, gōng wú yǔ ràng ēn bù zī.
dì yuē rǔ dù gōng dì yī, rǔ cóng shì yù yí wéi cí.
yù bài jī shǒu dǎo qiě wǔ, jīn shí kè huà chén néng wéi.
gǔ zhě shì chēng dà shǒu bǐ, cǐ shì bù xì yú zhí sī.
dāng rén zì gǔ yǒu bù ràng, yán qì lǚ hàn tiān zǐ yí.
gōng tuì zhāi jiè zuò xiǎo gé, rú rǎn dà bǐ hé lín lí.
diǎn cuàn yáo diǎn shùn diǎn zì, tú gǎi qīng miào shēng mín shī.
wén chéng pò tǐ shū zài zhǐ, qīng chén zài bài pù dān chí.
biao yuē chén yù mèi sǐ shàng, yǒng shén shèng gōng shū zhī bēi.
bēi gāo sān zhàng zì rú dòu, fù yǐ líng áo pán yǐ chí.
jù qí yǔ zhòng yù zhě shǎo, chán zhī tiān zǐ yán qí sī.
cháng shéng bǎi chǐ zhuāi bēi dǎo, cū shā dà shí xiāng mó zhì.
gōng zhī sī wén ruò yuán qì, xiān shí yǐ rù rén gān pí.
tāng pán kǒng dǐng yǒu shù zuò, jīn wú qí qì cún qí cí.
wū hū shèng huáng jí shèng xiāng, xiāng yú xuān hè liú chūn xī.
gōng zhī sī wén bù shì hòu, hé yǔ sān wǔ xiāng pān zhuī.
yuàn shū wàn běn sōng wàn guò, kǒu jiǎo liú mò yòu shǒu zhī.
chuán zhī qī shí yǒu èr dài, yǐ wéi fēng shàn yù jiǎn míng táng jī.
Yuanhe heavenly son divine martial disposition, that what person then Fuxi and Nuvia.
Vowed about to above snow successive sages shame, sitting in law palace within greeting four barbarians.
Huai-xi has rebels fifty years, breeding wolf gives birth to lynx lynx gives birth to bear.
Not depending on mountains rivers depending on flat earth, long spears sharp lances sun can command.
Emperor got holy minister minister named Pei Du, rebels hacked not dying spirits supporting holding.
Waist hanging ministerial seal acting as commander-in-chief, dark wind desolate heavenly king banner.
Li Su, Wu Chongyin, Gu You acting as teeth and claws, Ministry of Rites assistant secretary carrying brush following.
Marching army supervisor wise and moreover brave, fourteen myriads multitude like tigers and leopards.
Entering Cai binding rebels presenting ancestral temple, merit no with yielding favor not immeasurable.
Emperor said you Du merit number one, your attendant Han Yu should compose text.
Han Yu bows touches head dances and jumps, metal stone carving engraving official can do.
Ancients universally called great master writer, this matter not tied to official post.
Assuming benevolence since ancient times has not yielding, words finished repeatedly nodding heavenly son chin.
Duke retiring purification sits small pavilion, soaking moistening great brush how pouring copiously.
Editing revising Yao Classic and Shun Classic words, altering clear temple people birth poems.
Composition finished breaking styles written on paper, clear morning twice bowing spreading vermilion steps.
Memorial says minister Yu risking death submitting, chanting divine sacred merits writing on stele.
Stele high three zhang characters like peck measures, carried by spirit turtles coiled by dragons.
Lines marvelous words weighty understood by few, slandering him to heavenly son speaking of his partiality.
Long rope hundred feet dragging stele down, coarse sand large stones mutually grinding polishing.
Duke of this literature like primal breath, prior time already entered people liver spleen.
Tang basin Kong tripod have written works, now without those vessels preserving their words.
Alas sacred emperor and sacred minister, mutually brilliant flowing spring dawn.
Duke of this literature not showing descendants, how with Three and Five mutually striving to pursue.
Wishing to copy ten thousand volumes reciting ten thousand passes, mouth corners flowing saliva right hand callused.
Passing it seventy and two generations, considering as fengshan jade tallies bright hall foundation.

I. Formal Poetic Architecture & Meter

This masterpiece is classified under ancient-style regulated verse, specifically the lengthy seven-character ancient verse form known as gushi. Unlike strict regulated verse, this form allows for free rhyme shifts, irregular pacing, and dramatic tonal variation. Li Shangyin adopts a grand, surging narrative rhythm that mirrors the monumental scale of Han Yu's prose style. The poem alternates between brisk historical narration of the Huaixi campaign and soaring lyrical exaltation of literary immortality, culminating in an impassioned lament over the destruction of the stele.

II. Historical Chronology & Existential Impulse

The historical backdrop reaches back to the Yuanhe restoration of the middle Tang Dynasty, when Emperor Xianzong successfully suppressed regional military governors who had grown dangerously autonomous. Pei Du led the military campaign against the rebel stronghold of Huaixi, and the eminent literatus Han Yu was commissioned to compose the official victory stele inscription. Han Yu's uncompromising prose style offended political rivals at court, leading to subsequent defacement of the monument. Writing decades later, Li Shangyin reflects on the tragic vulnerability of literary genius when caught in the crossfire of factional court politics.

III. Line-by-Line Exegesis & Allusion Decoding

[The poem opens with an epic invocation of imperial restoration, transitions into the battlefield victory, shifts to the literary commission of Han Yu, and concludes with a philosophical meditation on the indestructibility of true literature.]

  • Lines 1-2 (Opening Couplet): [Establishes an exalted mythical tone, comparing the Yuanhe emperor to primeval creators Fuxi and Nuvia.]
  • Lines 3-4 (First Antithetical Turn): [Evokes the protracted rebellion in Huaixi through stark animalistic imagery of wolves and lynxes.]
  • Lines 5-6 (Second Antithetical Turn / Climax): [Introduces Pei Du and the divine intervention that shielded him from assassin blades.]
  • Closing Lines (Resolving Couplet): [Concludes with a fervent wish to transmit Han Yu's monumental prose across seventy-two generations of imperial history.]

IV. Cultural Symbolism & Key Metaphors

The poem is rich with profound cultural tokens embedded in traditional Chinese historiography and literary criticism for Western readers without cluttering paragraphs with Chinese text:

  • The Monument Stele: Explain why it represents the physical embodiment of moral truth, historical memory, and the eternal struggle between political slander and enduring literary art.
  • Primal Breath: Explain its cultural connotation of cosmic vitality, natural creativity, and the vital energy that animates supreme literary composition.

V. Philosophical Core & Global Resonance

The poem synthesizes Confucian moral responsibility with Daoist perspectives on transformation and permanence. While physical vessels and stone monuments are vulnerable to destruction by human malice and the ravages of time, the inner essence of true literature remains indestructible, lodging permanently in the human spirit. Li Shangyin articulates a universal human aspiration for artistic transcendence that resonates across cultures, affirming that genuine intellectual achievement outlives political tyranny and physical decay.

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